Peroz and Narseh: Coins of Post-Sasanian Princes in Balkh

It is well-known that after the death of Yazdgerd III, the last Sasanian Shahanshah (king of kings) in 651, an attempt was made by his sons Peroz and Wahram to recover at least a part of his empire with the help of the Chinese.[1] These attempts, however, were not successful and finally resulted in the withdrawal of the remnants of the Sasanians royal family to the Tang’s newly built capital of Chang’an 長安, where Peroz died in 678/679. He was buried in the mausoleum of Gaozong of the Tang and an inscription naming him king of Persia 波斯王 and Commander of Persia 波斯都督 was included on a nearby pedestal. Before his death, Peroz had managed to secure the permission to build a temple for the exiled Persian community in China, although we aren’t quite sure of this was a Zoroastrian, Manichaean, or Christian temple.

Map of the Tang Empire at the height of its power in the early 8th century
Statues at the tomb of the Gaozong emperor of the Tang

Before meeting his end, Peroz had put up a fight against the invading forces of the nascent Islamic caliphate and keep at least an illusion of ruling his father’s territories. Specifically, following Yazdgerd’s death in 651 in Marw (Merv), Peroz had set up a minor kingdom in a city that the Chinese call Jiling 疾陵, which is usually thought to be the city of Zrang/Zaranj in Sistan.[2] Considering that Sistan was not really invaded until the caliphate of Mu’awiyya (661-663), we can imagine that it was the conquest of Sistan that drove Peroz out of Sistan and to Tukharistan around 663. This would also support Daryaee’s suggestion that all of those Yazdgerd year 20 coin issues were in fact minted in Sistan, presumably in the 10 years of so when he ruled after his father there.[3]

The Conquests of early Islam

On the other hand, Peroz’s appearance in Chang’an happens between 673 and 674[4], meaning that he had spent the previous decade or more in the west. Based on Chinese sources (which might very well be exaggerations), he ruled in Tukharistan, under Chinese auspices, trying to recover his kingdom. Presumably, it is after his arrival in Chang’an that his son, Narseh 涅涅师, was raised to the throne in his stead by the Chinese general in Tukharistan. But Narseh too, after a 20 year struggle, could not recover any territories and returned to China in 708-709 and died in Chang’an. Now, apart from the year 20 issues of Yazdgerd III that we can assume were continually re-issued by Peroz, we have very little evidence of coins from either Peroz or Narseh, while we can only assume that some should have existed as coinage was firmly established in this region both as a sign of authority and for means of circulation. However, no certain coins can be attributed to either authorities, leaving us puzzled.

If we don’t consider the claims of Tang chroniclers as pure fabrication, we should then look at the selection of coins that we do have and consider that they might in fact contain some coins that can be attributed to either Peroz or Narseh, or both. Somehow, these coins have escaped the attention of the scholars somehow, mainly in any clear indication of the name of either authority. The issue is that the inscriptions on the coins of East Iran are written in a maddening variety of scripts, ranging from cursive Bactrian to Pahlavi, Brahmi, and Arabic. A few coins have clearly legible inscriptions, and given the frustrating ambiguities of both the Pahlavi and the Bactrian scripts, all sorts of readings can be proposed. To make things even more complicated, the coins in the region were often issued based on established prototypes, thus coins of the previous authorities – many of them originally based in Sasanian issues of the fourth and fifth centuries. So, it is not too much of a surprise if a coin does not immediately jump out or can be attributed to an authority otherwise known from the pages of standard historical narratives.[5]

The available array of coins from the Hindukush region in the post-Sasanian period is quite bewildering, with many local authorities issuing silver and copper/bronze coins. Many of these coins, for example those of the iltäbär, or Zhulad Gozgan belong to authorities whom we know from historical sources. Others, such as Tegin Khurasan Shah and his son Phrom Kesar, are mainly known from their coins but are entering the gaze of history through discovery of newer sources such as inscriptions.[6] Others such as “Spur Martan Shah,” or “Sero” or “the Bactrian Yabghu” are completely unknown and still waiting identification. So, I would like to venture into a group of these, namely the last named Yabghu, to find some coins that might be connected to Peroz and his son Narseh, the last claimants to the Sasanian throne in the East.

Silver drachm of Zhu(n)lad Gozgan, “Garigo Shaho”

The Yabghu of Balkh/Bactrians

The ultimate source, in English, for the coins that I like to consider here is the monumental two volumes produced by the Austrian numismatist, Klaus Vondrovec, who I can also call a friend and a mentor.[7] In these volumes, Klaus has done a magnificent job of studying the coins from east Iran from the end of the Kushano-Sasanian period to the complete control of the area by the Muslims in the eighth century. His meticulousness has rendered a wonderful resource, detailing typologies, iconographies, and inscriptions of each coin, and providing his own innovative groupings and analysis, mainly based on the previous work by Robert Göbl, but furthering the study of these coins manifold.

Section 9 of Klaus’ work is devoted to the coins produced under the suzerainty of the Western Turk (Gök Türk) Empire, originally founded on the second half of the sixth century and continuing until the late 7th/early 8th century when it was destroyed and temporarily merged into the Tang Empire of China. It was in fact the Chinese advances westwards to destroy the Western Turk that brought them into contact with the Islamic caliphate, resulting in the cataclysmic Battle of Talas that checked both the western ambitions of the Chinese and the eastern expansion of the Caliphate.[8]

The late Sasanian and the Western Turk empires

The early coins of this period are the continuation of what Klaus, following a suggestion by Göbl, has called the “Alkhan-Nezak Crossover” series. These are the coins of the period before the Western Turk take over of the Hindu-Kush region and show elements of both the Nezak Shah group (rulers of Kabulistan and Zabulistan), as well as those of the Alkhan group (a group of “Iranian Huns” who had gone over to conquer northern India in the fifth and sixth centuries).[9] By Klaus’ estimation, a part of the Alkhans had returned to the region of Kabul and Zabul and somehow integrated into the Nezak Shahs, and merging their distinctive coinage style with that of the Nezak Shahs, establishing their own Alkhan-Nezak Crossover group.

Silber drahm of an Alkhan king
A coin of Nezak Shah
An Alkhan-Nezak Crossover coin

The first authority that Klaus Vondrovec assigns to the Western Turk period is an authority on whose coins inscriptions in Bactria and Brahmi render his name as Sri Shahi (a mix of Indian and Iranian titles: “the Perfect/respected King”). This is respectively written as σριο þαυιο (with spurious Bactrian final -o) in Bactrian and as śrī ṣāhi in Brahmi on two different sets of coins which share the same iconography and typology. On the Nezak and Alkhan-Nezak Cross over coins, the name of the authority, Nezak Shah, was written in the Pahlavi script as nycky’ MLK’.[10] But in these coins, the Sri Shahi inscription has replaced the Pahlavi legend. The dual languages, one showing influences from the northern slopes of the Hindukush, historical Bactria and Tukharistan, and the other from the southern side, Kabul and Gandhara, is interesting and might suggest that Sri Shahi, whoever that he was, had influence over a wide range of area on both sides of the Hindukush, possibly making him a sub-king of the Western Turk, or an independent ruler – if the second half of the seventh century date that Vondrovec gives him is correct.

Coin of Sri Shahi

Another type of coin that Vondrovec mentions bears a Pahlavi legend on it that reads ybgw bhlk’n, so the Yabghu of Bactrians/Balkh.[11] This title would indicate the authority of the issuer in Balkh and Tukharistan, to the north of the Hindukush. However, Klaus reads a reverse legend on the coins as z’wlst(’n) and speculates that these coins might gave been issued in the area of Zabulistan, to the south of the Hindukush. There is an analogy that is suggested here in comparison with the coins of another authority called “Pangul” (who I have suggested is the same person as Amir Banji mentioned by Minhaj Seraj) who seems to call himself both a ruler in Balkh, while issuing coins with the mint signature of Rakhvad (al-Rukhaj) in the area of modern Lashkar Gah in Afghanistan. I am not sure if this can be entertained though, and have a really hard time reading the inscription there as z’wlst the way Vondrovec does. But aside from the mint, the iconography of two of the coin types is interesting and worth looking into.

Specifically, these are Klaus’ types 265 and 266, both showing a beardless man (Vondrovec p. 528). Klaus suggests that these might be a reference to the teenage Ardashir III who ruled the Sasanian empire for a bit more than a year in 628-629/630 and whose coins show a beardless man. But I don’t quite understand why Ardashir III coins should be reissued, with a whole new iconography added, after his death and much later, in the area of Balkh, where he never held any authority. The beardless bust showing an immature person though, that I understand and support!

Yabghu of Balkh, type 265, possible authority Narseh (Pahl. nrsyh’)… the mint name reads hlbwc (corrupted for Rakhwad?) year 10?

So, who could this beardless man be? My suggestion here is that this is Narseh, the son of Peroz, who has been left in charge of the Tang Command of Persia after his father’s move to Chang’an. We have no idea of Peroz’ age. Presumably his father, Yazdgerd III, was a teenager himself when he was installed in the throne in 632. We might assume that Peroz was born after this, say 635 to have a round number, and when he died in 678/79, he was about 43-44, a respectable age to die in the 7th century, although quite early. Narseh could have been born quite early and be in his early to mid-twenties, or if we assume a later birth (say while his father was “securely” ruling in Sistan in the 650’s and early 660’s), he would be a teenager indeed. So, the young bust for him would be quite appropriate.

The two types that show the beardless man bear a very elaborate crown. This crown carries the wings on the crown of Yazdgerd III, the father of Peroz, but also has a buffalo’s head on top of an elongated “pedestal”. These buffalo heads were first introduced by the Nēzak Shahs and seem to be their invention, so their appearance on these coins say something about the “local” nature of these issues. While they are very Sasanian in style and bear a Pahlavi legend, they also add a local flavour (and thus authority and circulation) by adding a local piece of iconography. The single border reverse also means that these coins are pre-687 (the shared terminus post quem by which Vondrovec dates the relative date of the later coins) and belong to a period before the introduction of Arab-Sasanian coin types to this region. On some of these issues, I read the legends n(?)rsyh’ in Pahlavi, a name that could clearly point to the identity of the authority as Narseh, the son of Peroz.

A related type, 265A, using the same iconography but showing an older, bearded man, in silver and copper drachms. In addition to being bearded, the bust on the reverse is also wearing a crown with a crescent and a star in the front, something that had become associated with the outside margins on the coins of Khosrow II where they appear in four cardinal points. In front of the bust on some of the coins, a Pahlavi inscription can be read, an I provisionally and with much uncertainty propose the reading of kd(y) bwhl(‘)n for it, possibly to be read as Kay Wahram, although the spelling would be significantly different than the normal spelling of Wahram as wlhl’n, so I have great reservations about it. as One thing that unites all these coins, aside from the iconography, is the presence of “tamga S 61”, a sign consisting of a half circle with another sign, resembling an open V with wings. These tamgas appear in the same places that a crescent and a star would appear on the coins of Khosrow II, on the outside margins of the obverse, except one example of it occurring on the reverse as well of the type 265A, variant 3. Coins of type 265A also carry a mint year of 15, although it is not specified based on which calendar. The coins also mainly carry the mint name of LHW, localising them in Rakhwad/Al-Rukhaj, in Sistan. We can only assume that this is a reference to the regnal year of the authority it depicts. I would attribute this related type as either issued by Narseh himself when he was older, or possibly belonging to Peroz, or his brother Wahram?, issued before he had to leave for China.

Yabghu of Balkh, type 265A, possibly with Pahl. kd(y) bwhl(‘)n (Kay Wahram?) on the reverse, mint LHW(d)? (Rakhwad/al-Rukhkhaj?)

The question remains as why the names of the authorities cannot be found on the coin. In my opinion, there are two answers to be given here. One is that these Yabghus, bearing a title that we known from the Hephthalite period onwards, were actually governors of Peroz and Narseh, ruling over some of the dudufus 都督府 of the Tang Persian (Anxi) Protectorate 安西都護府, and thus issuing coins using their title and the position. Alternatively, these are Peroz and Narseh themselves, but that living under Tang suzerainty, they only mention their position as Yabghus of Balkh, on their coins. However, the extension of their power to the southern Hindukush, observed from the spread of the coinage circulation to Zabulistan – much like Sri Shahi – is an indication of their wider influence beyond Balkh, perhaps even expressing their claim to Sistan, from which Peroz had escaped to Balkh.

The administrative divisions of the Tang Empire in the west

[1] Quite a few studies of these, some with more care than others, have been published. The sources are still most easily available in Chavannes, Edouard. 1903. Documents Sur Le Toukiue (Turcs) Occidentaux. St. Petersburg: Commissionnaires de l’Académie Impériale des Sciences. Daffina’s short, but monumental work remains one of the best studies of the subject, Daffinà, Paolo. 1983. “La Persia Sassanide Secondo Le Fonti Cinesi.” Rivista Degli Studi Orientali 57: 121–70. A brief discussion of all these plus newer observations is Compareti, Matteo. 2003. “The Last Sasanians in China.” Eurasian Studies 2 (2): 197–213.

[2] Comparetti 2003, 206. However, see Hamidreza Pashazanous, Ehsan Afkande, “the Last Sasanians in Eastern Iran and China” Anabasis 5 (2014), 139-153 for an argument against this, rather putting Jiling in Tukharistan.

[3] Daryaee, Touraj. 2006. “Yazdgerd III’s Last Year: Coinage and the History of Sistan at the End of Late Antiquity.” Iranistik: Deutschsprachige Zeitschrift Fur Iranistische Studien 5 (1 & 2): 21–29.

[4] Comparetti 2003, 207

[5] For an example of this, see my article identifying certain coins from the area of western Tukharistan as belonging to characters said to be the ancestors of the Amirs of Ghur by the famous 13th century historian, Minhaj Siraj Jowzjani in his Tabaqat-e Nasseri: K. Rezakhani. 2020. “Pangul and Bunji, Zhulad and Fulad: a Note on the Genealogy of the Shanasbid Amirs of Ghur.” In Dinars and Dirhams: Festschrift in Honor of Michael L. Bates, edited by Touraj Daryaee, Judith A. Lerner, and Virginie Rey, 219–30. Irvine: Jordan Center for Persian Studies and Culture.

[6] For the newest example of this, see Nicholas Sims-Williams. 2020. “The Bactrian Inscription of Jaghori: A Preliminary Reading.” Bulletin of the Asia Institute 30.

[7] Klaus Vondrovec. 2014. Coinage of the Iranian Huns and Their Successors from Bactria to Gandhara (4th to 8th Century CE). Vienna: Verlag der Österreichischen Akademie der Wissenschaften.

[8] For a general review, see Denis Sinor. 1990. “The Establishment and Dissolution of the Türk Empire.” In The Cambridge History of Early Inner Asia, edited by Denis Sinor, I:285–316. Cambridge: Cambridge University Press.

[9] For these, see the excellent work produced by another brilliant Austrian scholar, Matthias Pfisterer, 2013. Hunnen in Indien. Vienna: Verlag der Österreichischen Akademie der Wissenschaften.

[10] The reading of this inscription, previously read as Napki Malka and long known as that, is one of the more exciting stories of ancient studies. See J. Harmatta. 1969. Late Bactrian Inscriptions, Acta Antiqua Academiae Scientiarum Hungaricae 17, 408, and Richard N. Frye, “Napki Malka and the Kushano-Sasanians,” in Near Eastern Numismatics, Iconography, Epigraphy and History: Studies in Honor of George C. Miles, ed. Dikran K. Kouymjian (Beirut, 1974), 115–22.

[11] There is some debate as how to read this, either as Bactrians or Balkh (see Vondrovec p. 527 and other places). I prefer to consider this “that of Balkh” (in analogy to Ērān) and don’t get too worried if this is a reference to the people or the land.

How I hate WordPress Gutenberg Editor!

Why do technology companies take something that is good and perfectly serviceable and make it more complicated and less user friendly, all in the name of being modern and “cool”? The wordpress classical editor was a familiar editor with everything one needed. If you had worked with any text editor, you could easily use it and it came naturally. Yes, I understand that it was not perfect for “visual” creators who might need to create “new” and “unique” layouts to do their work, but it surely was possible to ADD those features (or actually just to take away the unnecessary restrictions that prevented the creation of such layouts) while leaving the core idea of writing intact? Here, it feels like I am writing on an empty screen with no access to anything, having to go back and do anything I need, including making words bold or into italics. Worse yet, there is no way to edit the title of a post, or in my case, change the direction of it when I want to write in Persian! Why is this done? How is it that in this world of increased globalisation and cross-cultural contacts, we are going BACK to the time when everything was just for the English speaking tech-bros?

Also, wth is a featured image and why do I need it?

Zimbabwe 1

I’ve been too overwhelmed by Zimbabwe to write much, although I planned to write a travelogue of it. I’ve actually been very bad in writing travelogues, as I find them essentialist, pretentious observations of a visitor about a place with which they have little familiarity. Most travelogues, particularly those about the places one visits for the first time, in fact become an exercise in reflecting one’s cultural biases on the new circumstances, or actively – and painstakingly – avoiding doing so. I am averse to comparison & value assignment & frequently find travelogues, particularly those written by the First Worlders on the “global south,” quite frustrating and cringy.

Having said all this, here is a quick recap and some observations, as non-judgemental as possible. We arrived here after a few days in South Africa. We spent those few days at a Safari lodge & didn’t spend much time in cities (we had been made afraid of Jo’burg enough!). So we used SA (ZA?) mostly as a stopover. The objective was to visit our friends who’ve recently moved for work reasons to Zimbabwe.

So from the beginning, our exposure to Zim (popular nickname, more prevalent among the White Zimbabweans) was from within a sort of bubble. Our friends are worldly, culturally sensitive, & environmentally conscious (naturally!), but still, we have been in a bubble. A USD spending, best-restaurant-in-Harare dining, pool-side wine sipping “global elite” who can afford to ignore the inconveniences of 4-hours a day electric by using generators & solar batteries. We are living the high-life. Not the highest-life though, as gigantic estates, expensive cars, luxurious golf clubs, and “it don’ matter if you’re Black or White” local elite, wearing Gucci & sucking on Dubai-inspired shisha, make it obvious.

What we’ve seen has been a mixture of the global diaspora (businessmen, Aid workers, diplos, lost souls), local elite, White Africans (some of whom fought other Whites to bring freedom & are local heroes), and odd foreigners from all around finding this a last frontier. There is a feeling that everything is possible, and it truly seems to be the case, for those who have the guts – & the stomach – for it.

But we have also “seen” – passed by, chatted, bought wooden animal carvings from – the locals. Poor, anxious, round-eyed, but extremely decent & honourable locals. The integrity of the people is humbling, and their sharp minds, and almost unbelievably quick wit too. No one begs in the bazaar (two begging boys were odd & gave up after one “no”) & the man with torn up pants & no shoes offering hand carved statues treats his work like an artist does, and expects you to do the same.

Talking & joking is quite easy. We visited the city centre (the “CBD”) once, and it looks very American. It could be a city centre of any American city in a poorer state (it reminded me of Louisville, KN), except the pothole-ful roads (which makes it more like NJ!). Driving is a bit of a challenge, although everyone is very courteous & no one speeds or gets mad. In general, the Shona people (the Bantu speaking population of the northern Zim) seem averse to getting angry: haven’t seen anyone shouting & everyone is smiling wide. Everyone speaks English, sometimes too perfectly, so no communication, comment, joke, or snark is lost. People seem remarkably content, despite all sorts of basic infrastructural problems and obvious poverty. The local money is nonexistent and dollar reigns supreme. The roadside fruits and car parts market (!) had people trading in Zimbabwean dollars (only one of the three or four real and virtual currencies), but I had to ask at the international chic supermarket to be given the return change for USD 1$ in local money (176 Z$ for which I was casually given 180…).

Enough of people perhaps, because nature is the wonder here. Harare is like a big botanical garden, from the odd South American jacaranda lined trees to Acacias and palms and banana trees (oh the bananas!) to roses and waterlilies. Come to think of it, writing about the nature requires another blog. So I will do that later. For now, wow!

CBD… Harare city centre

Sasanians and Early Byzantium: Raids, Tributes, and the Loss of Dara

In most works of modern scholarship concerned with the Sasanian-Byzantine relations in the 6th & 7th centuries, the issue of “tributes” is treated as hyperbole. Basically, claims by the Sasanians, reflected in later narratives like al-Tabari or Shahnama, that the Byzantines paid tributes to the Sasanians are dismissed as exaggerations and “about face” statements, almost the way the Chinese empires claimed to have extracted tribute from everyone! The actual instances of payment, available in abundance in Byzantine sources (Pseudo-Joshua the Stylite, Procopius, Malalas, John of Epiphania, and Menander Protector) are usually considered to be payments either for the mutual defense of both empires on the Caucasus front (the so-called Alan Gate or the Caspian Gate), or as temporary pay offs to keep Sasanians at bay. This second mode contributes to the image of the Sasanians as a predatory entity on the periphery of the Roman world, barely any more sophisticated than pirates and brigands, that needed to be “appeased” and controlled. The persistence of this attitude, often taking Byzantine sources and their use of “Barbarians” for the Sasanians at face value, also signals a certain Eurocentrism/Roman-centrism prevalent in many studies of the ancient world.

The basic assumption behind this is that the sophistication of the Roman/Byzantine administration, including their war-machine, is indisputable and beyond doubt. It is taken for granted that the Roman state undertook all its actions with an eye toward proper strategic approach. In contrast, Roman opponents, be it Germanic tribes beyond the Danube or the Sasanian Empire, were but disorganised polities only few stages removed from raiding parties, with essentially a predatory style of warfare aimed at extracting resources from the Roman state. In this way, the continued references to Roman payments, even on regular, annual basis as mentioned in accounts of Procopius, Menander, or Evagrius, are treated as temporary payments to appease the Sasanians, not regular tributes that created a particular type of relationship between the two empires. This contributes to our lack of attention to the structure of the Sasanian state and the persistent assumption of its simplicity, extending from its administration and military to its economic and social policies – the latter being treated as essentially non-existent, or at most, haphazard in nature and practice.

This is why one sometimes finds references to Roman raiding, in a demonstrably predatory manner, so fascinating. Byzantine sources naturally attempt to present these as part of a larger strategy, something that modern scholars (I don’t want to name names, but just any modern edition of a Primary source) are happy to follow and oblige. But quite often, the fact that these actions are not directed by a greater strategy and are simply actions of greedy regional actors becomes too obvious to ignore. What would then happen if we view these actions through not the view point of imperial decisions makers in Constantinople or Ctesiphon, but from the vantage point of local actors in the frontier zone?

Consider the account of the Byzantine campaign of 573. The event is labelled by many Byzantine scholars as the “failure of the Byzantines to take Nisbis,” betraying an assumption that the events were centrally planned and directed and part of a larger strategy. But the event, given by all sources (Evagrius, Theophylact Simocatta, etc) is very clearly a haphazard, and ill conceived, raid! The story goes that Marcian, appointed by Justin as commander to Dara, basically attacks Nisbis willy nilly, without even having surveyed the field. Initially, his troops go out to take captives and pillage and return to Dara (Chr. 1234, 65). The attack then alarms the Marzban of Nisbis (26 km from Dara) who manages to drive the Byzantine troops back to Dara, presumably through negotiation but without any payments, which shows the former’s position vis-a-vis Marcian and Dara. The subsequent Byzantine raid against Nisibis is so badly done that “the Persians did not think it necessary to close the gates and mocked the Roman army quite disgracefully” for having worked themselves into an embarrassing situation. The result is so humiliating that Marcian is relieved of his post by Justin who sends Acacius Archelaus with an order to replace Marcian while the former is still in the enemy territory!

Of course, the entire thing ends up in a disaster. The unprovoked raid and invasion attempt seems to have annoyed Khosrow I so much that he launches a counterattack. Initially he seems to have crossed the Euphrates at Circesium and threatened Apamean (John Epiph. 4), but quickly turned his attention to Dara itself. He seems to have quite easily captured the fortress, a bone of contention between the two empires since 502, and removed it as a threat to his territories, while extracting 200 centenaria of gold. Khosrow then wonders “God will seek from you all the blood which has been shed; when you possessed all this gold, why did you not give one hundredth of it to me, and I would have left you?”! The loss of Dara of course famously drove Justin to madness and in fact ended his rule.

So, an ill advised raid, undertaken by an inexperienced general, results in the loss of an important frontier fortress for the Byzantines in 573. This loss strengthens the Sasanian position on the NW frontier and probably serves as an indication of the weakness of the Byzantine forces in the region. This is what is eventually exploited by the Sasanians in a large scale invasion of the Byzantine east in the seventh century and the loss of Anatolia, Syria, Palestine, and Egypt to the combined forces of Khosrow II.

Modern remains of Dara

Perso-Centrism and the Iranian National Identity

Years ago, in 2003, when I was an MSc student at the LSE doing global history, I wrote a Persian article about issues of identity in modern Iran. There I argued that the increasing association of the identity marker of “Persian” with the nation-state identity of Iranian, influenced by a certain late Qajar/Early Pahlavi reading of ancient history, is one of the leading causes of the ethnic disenfranchisement and conflicts we witness today in Iran. This article was badly misunderstood (I was young and did not have the words) and misused (several websites cut it down to half its size, took the footnotes out, and published the parts they thought helps their cause). I decided that instead of trying to remove the article from all those website, I am going to put a PDF only version of it on my website, so people can read and judge it themselves. I still agree with a great part of it, but there are parts that I would completely redo and rewrite. I will do this in English if I were doing it now, but let it be as it is. So, here it is, for the posterity!

New Maps

Here are a couple of new maps I made. As usual, they are free to use for not-for-profit use, but for anything else, including physical printing, you’d need to email me at khodadad-at-ucla-dot-edu and ask for written permission!

New history article

A new article on the Kingdom of Hormuz, the medieval state that dominated the trade in the Persian Gulf and Sea of Oman region between the 11th-17th century, is now added. Check it out (improvements, incl. maps, following).

مستزاد مجلس چهارم

مستزاد مجلس چهارم، شعری است از محمدرضا میرزاده عشقی، شاعر معروف دوره مشروطه، که نمایندگان دوره چهارم مجلس شورای ملی (تیر 1300 تا خرداد 1302) و اولین مجلس بعد از کودتای اسفند 1299، را هجو می کند. چون مستزاد شامل اطلاعات و ارجاعات تاریخی جالبی است، در اینجا آن را با نوشته ها و توضیحاتی می آورم (مسوولیت توهین های میرزاده به طبقات مختلف و اشخاص خاص برعهده من نیست. امیدوارم به کسی برنخورد).

این مجلس چارم بخدا ننگ بشر بود/ دیدی چه خبر بود؟

هر کار که کردند ضرر روی ضرر بود/ دیدی چه خبر بود؟

این مجلس چارم خودمانیم ، ثمر داشت؟/ والله که ضررداشت

 صد شکر که عمرش چو زمانه بگذر بود/ دیدی چه خبر بود؟

دیگ وکلا جوش زد و کف شد و سررفت/باد همه دررفت

ده مژده که عمر وکلا عمر سفر بود/دیدی چه خبر بود؟

دیگر نکند هو نزند جفت مدرس/درسالن مجلس بگذشت

دگر مدتی ار محشر خر بود/ دیدی چه خبر بود؟

اکثریت مجلس با سوسیالیست ها بود و روحانیون و ملیون ازاین موضوع خوشحال نبودند و دعوا و قیل قال در مجلس زیاد بود. فراکسیون های مهم با یکدیگر حتی بصورت فیزیکی در صحن مجلس دعوا می کردند. 

دیگر نزد با قروقنبیله معلق/یعقوب جعلق

یعقوب خر بارکش این دو نفر بود/دیدی چه خبر بود؟

یعقوب، سید یعقوب انوار نماینده طولانی مدت فارس است و پدر استاد عبدالله انوار، نسخه شناس بنام. به نظر میرزاده، سیدیعقوب، آلت دست قوام الدوله شیرازی بوده و عامل اجرای توطئه های قوام السلطنه. چندخط بعد او را متهم به رشوه گرفتن و دزدی می کند.

سرمایه بدبختی ایران دو قوام است/این سکه بنام است

یک ملتی از این دو نفر خون بجگر بود/دیدی چه خبر بود؟

منظور میرزاده، ابراهیم خان قوام الدوله شیرازی و احمد قوام السلطنه، برادر وثوق الدوله و کاتب فرمان مشروطه است. خطهای بعدی توضیح بیشتری داده می شود.

آن کس که «قوام» است و به دولت همه کاره است/از بس که بود پَست

در بیشرفی عبرت تاریخِ سیر بود/ دیدی چه خبر بود؟

منظورش ابراهیم خان قوام الدوله چهارم، نواده ابراهیم خان، کلانتر شیراز در دوره زند و قاجاریه، و پدر علی محمد قوام، همسر اول اشرف پهلوی  بود. قوام و اشرف پهلوی والدین شهریار قوام (پهلوی نیا) بودند. 

برسلطنت آن کس که «قوام» است و بخوبر/شد دوسیه ها پر

زین دزدکه دزدیش، از اندازه به در بود/دیدی چه خبر بود؟

هر دفعه که این قحبه رئیس الوزرا شد/دیدی که چه ها شد؟

این دوره چه گویم که مضارش چه قدربود؟/دیدی چه خبر بود؟

منظور میرزا احمد قوام السلطنه است که در آن زمان نخست وزیر بود و بعنوان برادر وثوق الدوله، برای میرزاده و همفکرانش بسیار نامحبوب

آن واقعه مسجدیان، کم ضرری داشت؟/یا کم خطری داشت؟

آن فتنه ز مشروطه، شکاننده کمر بود/دیدی چه خبر بود؟

آن روزکه در جامعه آن نهضت خر شد/دیدی چه خبرشد؟

از غیظ جهان در نظرم زیر و زبر بود/دیدی چه خبر بود؟

منظور شورش درمسجدشاه طهران علیه سیدضیا است که اینجا قوام السلطنه را عاملش می داند.

در بیستمین قرن ز بس حربه ی تکفیر/ای ملت اکبیر!

افسوس نفهمید که آن از چه ممر بود/دیدی چه خبر بود؟

تکفیر «سلیمان» نمازی دعایی/ملت به کجایی؟

این مسئله کی منطقیِ اهل نظر بود/دیدی چه خبر بود؟

علما سلیمان میرزا اسکندری را تکفیر کردند و میرزاده تکفیر را در قرن 20 عجیب می داند. سلیمان میرزا رهبر سوسیالیست ها بود و از شاهزاده های قاجاری طرفدار تفکر چپ. 

ز من به قوام این بگو الحق که نه مردی/زین کار که کردی

ریدی به سر هرچه که عمامه به سر بود/دیدی چه خبر بود؟

من دشمن دین نیستم، اینگونه نبینم/من حامی دینم

دستور ز لندن بد و با دست بقر بود/دیدی چه خبر بود؟

می گوید گرفتن حکم تکفیر از طرف قوام برای مخالفان، خود علما را بی قدر کرد. اظهارش به اینکه دشمن دین نیست و در اینجا دین داران را مقصر نمی بیند، بلکه آنها را عامل انگلیس و قوام السلطنه می داند، جالب است. 

با «آشتیانی» ز چه این مرد کم از زن/شد دست به گردن

ای کاش که بر گردن این هر دو تبر بود/دیدی چه خبر بود؟

هاشم آشتیانی پسر میرزاحسن مجتهدآشتیانی. همراه مدرس بود و با ایده جمهوری که رضاخان پهلوی تبلیغش را می کرد مخالفت کرد. اینجا میرزاده بخاطر مخالفتش با سیدضیا، با او بد است. اشارات ضد زنش هم البته جالب است و قابل توجه برای زمانه که حتی آدم روشنفکری مانند میرزاده هم، ضدزن است.

آن کس که زند این تبر او سیدضیا بود/او دست خدا بود

بر مردم ایران به خدا نوربصر بود/دیدی چه خبر بود؟

کافی نبود هرچه ضیا را بستاییم/ازعهده نیاییم

من چیز دگرگویم و او چیز دگر بود/دیدی چه خبر بود؟

میرزاده طرفدار سیدضیا بود و حتی شعر «ای قربان کابینه سیاهت، بازآ» را در وصف او دارد. خوب می بود اگر میرزاده مانده بود و قضاوت او در مورد سیدضیا را چندسال بعد می دیدیم. 

دیدی که مدرِّس وکلا را همه خر کرد/درب همه تر کرد

در مجلس چارم خر نر با خر نر بود/دیدی چه خبر بود؟

میرزاده معمولا با مدرس خوب بود، اما در اینجا بخاطر مخالفتش با سیدضیا و همراهی با ملیون که از نظر میرزاده آنارشیست، سازشکار بودند، و سیاست بازیش، به او بد می گوید. اشارات جنسی اش هم البته شاید کمی برای دوران ما زیاد باشد، اما در وصف مجلس و مجلسیان قابل توجه است.

زد صدمه مدرِس بسی از کینه به ملت/با نصرت دولت

آن پوزه که عکس العمل قرص قمر بود/دیدی چه خبر بود؟

«شهزاده فیروز» همان قحبه ی خائن/با آن پز چون جن

هم صیغه ی کرزن بد و هم فکر ددر بود/دیدی چه خبر بود؟

فیروزمیرزا نصرت الدوله، پسربزرگ عبدالحسین میرزا فرمانفرما سالار لشکر و از عوامل امضای قرارداد 1919 با دولت استعماری بریتانیا بود و به همراه وثوق الدوله، بسیار نامحبوب. در اینجا همراهی مدرس با فیروز میرزا جالب است.

خواهرزنِ کرزن که محمّدولی میرزاست/مطلب همه اینجاست

چون موش، مدام از پی دزدیدن زر بود/دیدی چه خبر بود؟

محمدولی میرزا، برادر فیروز میرزا که فقط بخاطر حمایت از برادرش نماینده مجلس شده بود. محمدولی میرزا تمام عمر، مسوول مالی خاندان فرمانفرما و اموال پدرش عبدالحسین میرزا بود و اشاره به پول دوستیش احتمالا بخاطر این توجهش به مسائل مالی است. 

سیّد تقی آن کلفت ممّد ولی میرزا/مجلس چو شد افنا

این جنده زن افسرده تر از خفته ذکر بود/دیدی چه خبر بود؟

هرچند که «یعقوب» بنام است به پستی/در دزدپرستی

این مردکه زآن مردکه هم مردکه تر بود/دیدی چه خبر بود؟

احتمالا منظورش سیدتقی طباطبایی نماینده تبریز است. در اینجا دارد نادرستی و فساد او را با یعقوب انوار مقایسه می کند. 

آن شیخک کرمانی زرمسلک ریقو/کم مدرک و پررو

هر روز سر سفره ی اشراف دمر بود/دیدی چه خبر بود؟

شد مصرف پرچانگیِ شیخ محلات/مجلس همه اوقات

خیلی دگر این شیخِ پدرسوخته لچر بود/دیدی چه خبر بود؟

منظور شیخ محمدشریعتمدار، نماینده رفسنجان است که روابط نزدیکی با اشراف بعد از رهاییشان از زندان سیدضیا داشت. شیخ اسدالله محلاتی معروف بود به نطق های طولانی و احتمالا رکورددار نطق در تاریخ مقننه ایران است. نجف درسخوانده بود و با سواد حساب می شد. مدرک گرایی میرزاده در این دو بیت جالب است.

سرچشمه ی پستی و خداوند تلون/آقای تدین

این زن جلب از داور زن قحبه بتر بود/دیدی چه خبر بود؟

سید محمدتدین، بعدا رئیس مجلس شد و خلع قاجاریه در زمان او اتفاق افتاد. بعدا رئیس دانشگاه تهران شد. میرزاده بسیار با او بد بود و در چند شعر هجوش کرده. قبرش درامامزاده صالح تجریش بود که بعد از بازسازی امامزاده در دهه هفتاد هجری، خرابش کردند. 
داور، علی اکبرداور وزیر دادگستری رضاشاه که در این موقع نماینده ورامین بود و در واقع عامل دست رضاخان پهلوی.

آقای لسان عرعر و تیز و لگدی داشت/خوب این چه بدی داشت؟

چون چاره اش آسان دوسه من یونجه تر بود/دیدی چه خبر بود؟

میخواست ملک خودبرساند به وزارت/با زور سفارت

افسوس که عمامه برایش سرِخر بود/دیدی چه خبر بود؟

لسان الملک دوم پسر محمدتقی خان کاشانی، لسان الملک سپهر، نویسنده ناسخ التواریخ. معروف بود به حرف های بی ربط اما پرطمطراق زدن.
ملک: محمدتقی خان بهار ملک الشعرا، که در آنموقع معمم بود و به نظر می آید میرزاده او را به جاه طلبی و نزدیکی به سفارت انگلستان متهم می کند. جالب است که ملک الشعرا از دوستان خوب میرزاده بود و شب ترور میرزاده، قرار بود مهمان او باشد. 

آن شیخک خولی پز و بدریخت امین نیست/این است و جز این نیست

آن کس که رخش همچو سرین بزِ گر بود/دیدی چه خبر بود؟

تسبیح به کف، جامه ی تقوای به تن شد/خواهان وطن شد

گویم ز چه عمامه به سر؟ در پی شر بود/دیدی چه خبر بود؟

منظورش احتمالا امین الشریعه ذوالقدر، نماینده فیروزآباد و از معممین مجلس بود. امین الشریعه معروف بود به کوسه بودن و بی ریشی. 

عمامه به سر هر که که بنهاد، دو کون است/یک کونش که کون است

آن گنبد مندیل سرش، کون دگر بود/دیدی چه خبر بود؟

آن مردکه ی خر، که وکیل همدان است/دیدی که چه سان است

یکپارچه کون از بن پا تا پس سر بود/دیدی چه خبر بود؟

نماینده همدان، علی رضاخان بهاالملک قراگزلو، وزیرمالیه آینده است که از اعضای خاندان قراگوزلو و از خیرین مهم و محبوب همدان بود.

آن معتمدالسلطنه ی خائنِ مأبون/در پشت تریبون

یکروز که در جایگه خویش پکر بود/دیدی چه خبر بود

میگفت که بر کرسی مجلس چو نشینم/از دست نشینام راحت نیم

ای کاش که این کرسی ذکر بود/دیدی چه خبر بود

عبدالله وثوق، معتمدالسطلنه دوم، برادر وثوق الدوله و قوام السطلنه و خدا می داند چرا نماینده درگز. آدم بی آزاری بود که هیچ سخنی نمی گفت و فقط موافقت می کرد. 

اغلب وکلا این سخن ازوی چو شنفتند/احسنت بگفتند

دیدند در این نطق بسی حسن اثر بود/دیدی چه خبر بود؟

افسار وکیل همدان را چوببستند/یاران بنشستند

گفتند که این ماچه خر آبستن زر بود/دیدی چه خبر بود؟

شاید با نوشتن حُسن و شباهتش حَسَن، اسم برادر معتمدالسلطنه، میرزا حسن وثوق الدوله، کنایه میزندکه نطق، کار وثوق الدوله بود.

این مجلس چارم چه بگویم که چه ها داشت/سلطان علما داشت

پس من خرم این مردکه گر نوع بشر بود/دیدی چه خبر بود؟ ا

ز بس که شد آبستن و زایید فراوان/قاطر شده

ارزان گویی کمر «آشتیانی» ز فنر بود/دیدی چه خبر بود؟

حاج علی اصغر سلطان العلما، نماینده بروجرد. بقیه واضح است! 

مستوفی از آن نطق که چون توپ صدا کرد/مشت همه وا کرد

فهماند که در مجلس چارم چه خبر بود/دیدی چه خبر بود؟

میرزاحسن مستوفی در دوره چهارم، رئیس الوزرا بود و کابینه اش را استیضاح کردند. نطقی کرد که در آن فسادو رشوه گیری مجلسیان را علنا بیان کرد: من نه آجیل بده هستم و نه آجیل بگیر!

من نیز یکی حرف بگفتم وکلا را/در مجلس شورا

هرچند که از حرف در ایران چه ثمر بود؟/دیدی چه خبر بود؟

نه سال گذشته که گذشتم ز مداین/گشتم ز مداین

آزرده بدان سان که پدر مرده پسر بود/دیدی چه خبر بود؟

میرزاده داستان گذر کردن از خرابه های ایوان کسری را در مقدمه «اپرت رستاخیز شهریاران ایران» هم آورده. به نظر می رسد که بسیار از دیدن خرابه ها تحت تاثیر قرار گرفته.

ویرانه یکی قصر شد از دور نمایان/در قافله یاران

گفتند که این راه پر از خُوف و خطر بود/دیدی چه خبر بود؟

جایی است خطرناک و پر از سارق و جانی/آنگونه که دانی

عریان شود آن کس که از آن راهگذر بود/دیدی چه خبر بود

کسرای عدالتگر اگر زنده بُد این عصر/اینسان نبُد این قصر

گفتم که به اعصار گذشته، چه مگر بود؟/دیدی چه خبر بود؟

ارجاع به عدالت کسری و ناآرام بودن اوضاع، بسیار قابل توجه است و همراه با چند اثر دیگری میرزاده عشقی، اشاره به توجه بسیارش به تاریخ باستان که در آن زمان درحال محبوب شدن بوده، می کند.

گفتند که بودست عدالت گه ساسان/آن روز که ایران

سرتابه سرش مملکتِ علم و هنر بود/دیدی چه خبر بود؟

من در غم این، کز چه عدالت گه کشور/شد دزدگه آخر؟

زین نکته غم اندر دل من بیحد و مر بود/دیدی چه خبر بود؟

این منزل دزدان شدنِ بارگه داد/بیرون نشد از یاد

همواره همین مسئله در مدِّ نظر بود/دیدی چه خبر بود؟

در اینجا میرزاده، خرابی و بی عدالتی روزگار خودش را مستقیما با عدالت درگاه ساسانیان (برداشت عمومی به خصوص از دوره خسرو انوشروان) مقایسه می کند.

تا این که در این دوره بدیدم وکلا را/در مجلس شورا

دیدم دگر این باره، از آن باره بتر بود/دیدی چه خبر بود؟

ویران شده شد دزدگه آن بُنگه کسری/وین مجلس شورا

ویران نشده دزدگه و مرکز شر بود/دیدی چه خبر بود؟

جالب است که بارگه کسری (دربار ساسانیان) را با مجلس شورا (و نه دربار سلطنتی) مقایسه می کند.

این مجلس شورا نبُد و بود کلوپی/یک مجمعِ خوبی

از هر که شب از گردنه بردار و ببر بود/دیدی چه خبر بود؟

هرگز یکی از این وکلا زنده نبودی/پاینده نبودی

این جامعه ی زنده نما زنده اگر بود/دیدی چه خبر بود؟

این که تبلیغ کشتن وکلا را می کند، شبیه است به پیشنهاد آنارشیستی میرزاده برای برگذاری «عیدخون» در هرسال، که در آن مردم نمایندگان خائن را به خیابان ها می کشند و آنها را برای خیانتشان به قتل می رسانند!

وانگه شدی از بیخ و بن این عدلِ مظفر/با خاک برابر

حتا نه به تاریخ از آن نقش صُوَر بود/دیدی چه خبر بود؟

تنها نه همین کاخ سزاوار خرابی است/این حرف حسابی است

ای کاش که سرتاسرِ ری زیر و زبر بود/دیدی چه خبر بود؟

ری در اینجا کنایه است از تهران و اهمیتش در سیاست فاسد زمانه. در بیت های بعدی هم همین تم را ادامه می دهد.

ای ری! تو چه خاکی که چه ناپاک نهادی/تو شهر فسادی

از شر تو یک مملکتی پر ز شرر بود/دیدی چه خبر بود

شمر از پی تو جد مرا کشت چنان زار/لعنت به تو صد بار

صد لعن به او نیز که رنجش به هدر بود/دیدی چه خبر بود

به نظر می آید که میرزاده دارد به سیادت خودش اشاره می کند و اینکه شمرذی الجوشن خیال حکومت ری را داشته!

ای کاش که یک روز ببینیم درین شهر/از خون همه نهر

در هر گذری لخته ی خون تا به کمر بود/دیدی چه خبر بود؟

از کوه وزو آنچه که شد خطه ی پمپی/آن بِه که شود ری

ای کاش که در کوه دماوند اثر بود/دیدی چه خبر بود؟

در اینجا دارد آرزو می کند که کوه دماوند هم مانند کوه وزو آتشفشان کند و همانگونه که پمپی را زیر مواد مذاب دفن کرد، تهران را نیز از بین ببرد! غیر از این که به نظر می آید با شهر میزبانش سرخوشی ندارد، جالب است که داستان آتفشان وزو را که در آن زمان تازه محبوب شده بود، بازگویی می کند.

این طبع تو «عشقی» به خدایی خداوند/از کوه دماوند

محکم تر و معظم تر و آتشکده تر بود/دیدی چه خبر بود؟

و در آخر هم مانند بسیاری از اشعار دیگرش، به طبع خود می نازد و آرزو می کند که آتش شعرش، فساد سیاسی تهران را نابود کند...

The Selfie King

Nasserreddin Shah (or Nasser al-Din Shah), the fourth king of the Qajar dynasty, ruled Iran for almost all of the second half of the 19th century (1848-1896). Both his life, and his death as the result of an assassination, were dramatic episodes in Iranian history. History has judged him unkindly for the most part, although I think he deserves a lot more credit than he gets. But whatever one might think of him, it is undeniable that the period of his rule was of utmost important in both political and cultural sense. His rule quintessentially encompasses the start of (European) ‘modernity’ in Iran. A major aspect of this modernity was cultural, with the visual side being quite influential. Some events, like the introduction of the ballet skirt after the Shah’s visit to a Paris ballet performance, are quite well known. This fantastic site, a project by the eminent Professor Afsaneh Najmabadi, is a must start for anything relating to Qajar studies: Women’s Worlds in Qajar Iran


Esmat-od-Dowleh, Nassereddin Shah’s daughter, in a modified ballet skirt

An important aspect of the Shah’s personal contributions to this visual culture was his personal love of the arts, particularly photography. Born in a world were people were still painted, Nassereddin Shah was himself in love with visuals.


An official portrait of Nassereddin Shah as a young man (late 1840’s)

In fact, he tried his hand at drawing a lot:


Nassereddin Shah’s portrait of Mohammad Hassan Khan Etemad os-Saltaneh, the Minister of Publications and the king’s personal reader and translator.

He even drew himself:


A self-portrait by Nassereddin Shah (note that he is drawing the frame too!) “My own face, I looked at it in the mirror and drew it, near Jajrud River, we left from Niyavaran, riding horses to go hunting. Wednesday 12 Muharram [Sino-Turkic year]”

In fact, his obsession with picturing himself, something that one can call “selfie” these days, is what I am interested in. Much has already been written on his discovery of the daguerreotype and later, photo cameras. The king was a good photographer, and in each of his European visits, he bought the latest cameras, and appointed at least two official court photographers. This was a very new and exciting art.


Nassereddin Shah and a young Prince Bertie (future King Edward VII of Britain) and the Prime Minister, Mirza Mohammad Hossein Khan, Sepahsalar Qazvini…

He photographed everything and anyone, including the servants, and carefully recorded information about each photo on the prints:


“Baghbanbashi Jujugh at the kitchen door, on the same day, 8 Shawwal”

But his favourite subject seems to have been himself. He took many “selfies,” writing down information about where it was taken and how, with pithy comments and in a very cursive hand, under each print. I imagine these are very slow selfies, with the king setting up the frame and deciding on a particular pose, then moving in front of the camera and waiting for it to go off. These were not quick “look at me” snapshots. These show planning and a certain fascination with the medium. This is what fascinates me:


Nasserreddin Shah, in a good mood? “Month of dhil-hajja, (12)83, Tushqan Eil, I took it myself” (April-May 1867; Tushqan Eil is the Sino-Turkic name of the year)

I am going to share a few of these that I took from a printed book on the collection of the photo albums from the Golestan Palace, the main Qajar palace in the centre of Tehran.


“In Niyavaran (palace), I took it myself”

Looks quite dapper here, with European style trousers and a necktie. He always mentions who has taken the picture.


“I took this myself in the Andarun (the Harem)” The calligraphy on the top is from a the person organising the album, saying “(this is) the lord, the sacred Shahnshah, may our souls be sacrificed to him” (Persian taarof, nobody means it!)

The fact that he is taking pictures inside the Harem (there are many examples of the pictures he has taken of his wives, daughters, and other women of the harem) is by itself a fascinating aspect of this. The Shah was himself opening a door to the private quarters of the Royal Palace. This is an interesting read.


Selfie with two women of the Andarun (Harem).

The attempt to look chic didn’t always work. Tehran is cold in Winter, so the Shah is pampering himself, but I am not sure if the entire ensemble works very well…


“the first ten days of Ramadan of 84, Tushghan Eil, in Tehran, I took it myself” (December 1867/January 1868)

He was not always in the mood, I imagine. He might have been drunk here (no caption)!


For this one, he was just pissed off:


Look at the white socks!

I imagine sometimes he was not in the mood at all. Here, he is posing for someone else, and complains about the situation too:


“They took it when I was sick and weak from flu [illegible] not good”

He did pose for pics that others took, and they are interesting too:


“Jumadi ath-Thani 1286” (Sept-Oct. 1869) Then 90 degrees counter clockwise: “It is taken in Ahar, on the way from Shahrestanak, during the trip to Nour and Kojour…. this is when I was 39 years old”

Is the older kind looking at his old photos, lamenting the bygone years? He loved going on trips, and photographed his hunts too. Ahar is a beautiful mountainside village just to the northeast of Tehran. He loved travelling and hunting in the area and has left at least two detailed diaries of his trips there.


On the top “Also in the month of Ramadan(?)” then on the side: “It was taken in the Andarun, Malijak is in my arms. He has not slept in two nights, and again has the flu. It was taken by Hassanali the Photographer”

Apart from his hunts, there was something else he loved. It was a little boy, Malijak or Gholamali Khan. He was the Shah’s nephew by marriage, and since the age of three, the king loved him like, or even more than, his children. Malijak was not pretty, not too bright, and not from a very refined background. Perhaps this was why the king felt safe in loving him as a child. The boy later got the title of Aziz os-Soltan “the Beloved of the Monarch” and married the Shah’s daughter (who divorced him after the Shah was assassinated). He grew up to a normal person, level-headed and never full of himself. He was never rich, he always kept close with the royal family and the important people, but never sought to bank on his royal connections. He gets a bad reputation for something he had no hands or influence in.

ملیجک د

Gholamali Khan Aziz os-Soltan, AKA Malijak, as a young man…

Let’s finish this little photo essay with an official picture of Nasserreddin Shah as an older man. This is an official portrait, and I think the look in his eyes is haunting. I wonder what was going through his mind…800px-Naser_al-Din_Shah_Qajar,_close_up,_with_slight_smile_by_Nadar

New Maps

So, In my quest for making maps of late antique West and Central Asia which are surprisingly not available already, I have created a few that I am posting here. Hopefully they will be useful. Please make sure that you credit me if you use these maps and email me if you need high resolution ones…


Sasanians-Hephthalites-Nexak Shah- Alkhans

Sasanian Empire and its neighbours in mid Sixth century


Sasanians Empire and Its Neighbours 560-630 CE

Map of the Sasanian Empire after the destruction of the Hephthalite Kingdom by the Western Turk Empire (ca 560) to the conquests of Khosrow II (602–628)

Iranische Hunnen-Iranian Huns

Hephthalites, Alkhans/Alchon, and Nezak Shahs ca 500 CE


East Iranian Kingdoms before 200 CE

The extents of the Kingdoms of Indo-Sakas, Indo-Parthians, and Kushans before CE 200